Augusta Campagne
Publications
01
Books
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2018 Augusta Campagne Simone Verovio: Music printing, intabulations and basso continuo in Rome around 1600 Wien, Köln, Weimar: Böhlau (open access).
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2022 Augusta Campagne and Elam Rotem Keyboard Accompaniment in Italy around 1600: Intabulations, Scores and Basso Continuo for the Schola Cantorum Basiliensis (open access).
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2022 Augusta Campagne, Markus Grassl (eds) Anklänge 2020/21 "Cantare nel gravicembalo" Ensemble- und Begleitpraxis in der italienischen Musikkultur um 1600 - Practices of ensemble playing and accompaniment in Italian musical culture c. 1600 Wien: Hollitzer.
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2024 Augusta Campagne, Markus Grassl (eds) ›Universum rei harmonicae concentum absolvunt.‹ The Harpsichord in the Sixteenth Century Wien: mdw Press
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2025 Magdalena Hasibeder, Augusta Campagne, Marco Primultini (eds) Partimento–Realizing its Potential (conference proceedings).
02
Articles
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1995 Die Anfänge des Generalbasses oder: die Praxis des Begleitens im Italienischen Früh-Barock in Basler Jahrbuch für historische Musikpraxis 19 (1995): 9–31 (open access).
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2017 Simone Verovio: Intaglio Techniques Reveal Different Makers and Audiences in Sources of Identity: Makers, Owners and Users of Music Sources before 1600 Tim Shephard and Lisa Coulton (eds) Turnhout: Brepols, 2017: 279–298.
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2021 Universum rei harmonici concentuum absolvunt: the harpsichord in the 16th century. (A conference report) in Sounding Board 17 2021:42–45 (open access).
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2022 Can we Use Lute Intabulations as an Inspiration for Harpsichord Continuo? A Comparison of the Lute and Harpsichord Intabulation in the Verovio Canzonette in Anklänge 2020/21 "Cantare nel gravicembalo" Ensemble- und Begleitpraxis in der italienischen Musikkultur um 1600 - Practices of ensemble playing and accompaniment in Italian musical culture c. 1600 Augusta Campagne und Markus Grassl (eds) Wien: Hollitzer, 2022: 113–134.
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2023 "Basso Continuo: the Beginnings in Italy" (in Basso Continuo in Italy: Sources, Pedagogy and Performance, ed. Marcello Mazzetti, Brepols, 2023).
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2025 "Did partimenti fall from heaven?" (in Partimento–Realizing its Potential conference proceedings of the 2024 conference).
03
Conference papers (unpublished)
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2014-Sonare sopra il basso, Amsterdam: 'sonare sopra'l basso!: how new was this invention?
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2015-Studientag Generalbass, Basel: Simone Verovio – Intabulations and basso continuo.
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2015-MedRen Brussels: Characteristic and Implications of Printing Music with Intaglio Techniques: The Case of Simone Verovio.
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2016-Music for Liturgy and devotion Manchester: The Concept of 'Amateur' in Music for Liturgy and Devotion.
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2016-MedRen Sheffield: Lute and harpsichord together? - Evidence from the intabulations in the prints of Simone Verovio.
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2018-Baroque Conference, Cremona: Simone Verovio: on the border between intabulations and basso continuo.
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2018- IMS Tablature Studygroup, Basel: Simone Verovio: Canzonetta prints including intabulations for lute and harpsichord: a Comparison.
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2018-Lasting Impressions, Salzburg: Ceci n’est pas un livre imprimé: The Case of Engraved Music in Rome Around 1600.
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2019-MedRen Basel: Keyboard Accompaniment in Italian Music in the Second Half of the 16th Century.
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2019-HKSNA Houston: Keyboard Accompaniment in Italian Music around 1600.
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2020-'Journées de la Basse Continue' CNSMD Paris: Keyboard Accompaniment in Italian Music in the Second Half of the Sixteenth Century.
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2021-The Figured Bass Accompaniment in Europe, on-line conference: Keyboard Accompaniment in Italian Music around 1600 Notated in Score.
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2022-Alamire, Leuven: Musical Typoglycemia: Filling in missing gaps in Italian keyboard parts meant for accompanying.
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2023-Studientag Generalbass, Basel with Elam Rotem: Keyboard Accompaniment in Italy around 1600: Intabulations, Scores and Basso Continuo.
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2023-Baroque Conference Geneva: The Art of "Not Leaving the Instrument Empty" revisited.
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2023-MUK, Vienna Impulstage: Begleiten am Tasteninstrument in Italien um 1600.
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2023-mdw, Vienna: Die Kunst "das Instrument nicht leer klingen zu lassen".
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2024-KVNM Utrecht (NL): Music Printing innovations in Rome around 1600:
Simone Verovio and his network of co-immigrants from the Low Countries. -
2024-mdw, Vienna: Notendruck Techniken in Musik für Tasteninstrumenten.
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2024-Conference: Partimento - realizing its Potential, mdw, Vienna: Did Partimento fall from Heaven?
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2025-MedRen conference, Newcastle/Durham (UK): Notational Conventions in early Sixteenth Century Printed Italian Keyboard Intavolature.
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2025-IMS Tablature Group Meeting, Basel (CH) with Ian Pritchard: Hacking the System: Notational Conventions in Sixteenth Century Italian Keyboard Intavolature.
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2025-Conference "Musical Instruments as an essential source for historical performance practice" KUG, Graz: Images of Touch: artistic and Technical Approaches to Italian Keyboard Performance in the Long 16th Century.
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04
In preparation
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2026 "Notational Conventions in early Sixteenth C entury printed Italian Keyboard Intavolature" (in ›Per aures ad animum‹ the harpsichord in the 16th century II, Augusta Campagne and Markus Grassl eds. Wien: mdwPress)​​
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Musical Typoglycemia: Filling in missing gaps in Italian keyboard parts meant for accompanying (in New Perspectives in Fifteenth- and Sixteenth-Century Music Notations, ed. Paul Kolb)
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